October, 2009


5
Oct 09

2010 Color trends from Sherwin-Williams

I recently attended the Sherwin-Williams Colormix 2010 seminar at the Boston Design Center. The seminar encouraged us to think about how “the past transforms the present in fresh colors that simplify a complex world,” and color experts from Sherwin-Williams laid out color and pattern trends for the coming year. The presentation was broken up into four different styles and color palettes with influences described as rooted, exploring ancient and tribal cultures; simplified, where less is more; treasured, exploring beauty of natural aging; and refreshed prints and patterns of the 60′s and 80′s.

Rooted aesthetics originate from African, Aboriginal and Native American cultures where colors are “as natural as the elements.” Ancient tribes and cultures were not recognized for their artistic work until the 1600′s and since then, these indigenous civilizations have defined a lifestyle in mainstream and popular culture. These styles appear on the runway and in home design such as feathers, carved wood, body paint, clay and wire.

"The colors are rich and earthy, with a hint of mystery." -Sherwin-Williams "Rooted" handout.

"The colors are rich and earthy, with a hint of mystery." -Sherwin-Williams

Two girls in Ghana wearing long yellow beads

Two girls in Ghana wearing long yellow beads

Crimped hairstyle on the runway is reminiscent of traditional African headwear.

Crimped hairstyle on the runway is reminiscent of traditional African headwear.

Aboriginal dot painting creates patterns and symbols using natural pigments.

Aboriginal dot painting creates patterns and symbols using natural pigments.

Native American basket weave at the Heard Museum in Phoenix.

Native American basket weave at the Heard Museum in Phoenix.

The simplified mantra ‘less is more’ resonates throughout the design world as classic, sophisticated and structured. Beginning with the Bauhaus movement in Germany, it combined art, craft and technology which created harmony between design and object. Simplified design is enduring yet modern, and is popular in corporate and residential settings such as the Guggenheim Museum and the stairs at the Armani store in New York.

"The aesthetic is artful rather than austere, with well-tailored lines and sheer, translucent materials that reveal shape and structure." -Sherwin-Williams handout

"The aesthetic is artful rather than austere, with well-tailored lines and sheer, translucent materials that reveal shape and structure." -Sherwin-Williams

Bauhaus building in Dessau, Germany

Bauhaus building in Dessau, Germany

Guggenheim Museum in New York City featuring modern and contemporary international art.

Guggenheim Museum in New York City featuring modern and contemporary international art.

The interior of the Armani flagship store, designed by Doriana and Massimiliano Fuksas. The store features a striking ribbon-like swirling staircase in white.

The interior of the Armani flagship store, designed by Doriana and Massimiliano Fuksas. The store features a striking ribbon-like swirling staircase in white.

Modern lighting designs that are sheer and simple.

Modern lighting designs that are sheer and simple.

Treasured describes an aesthetic that repurposes imperfect, naturally aged and vintage pieces to reveal untold stories underneath years of peeling paint. The idea of celebrating our past is a popular one right now; the trend can be seen on web sites like Etsy and design*sponge, where rehabilitated furniture is often sold and showcased. This saturated color palette evokes the distressed, layered and antique look of a treasured heirloom.

"A throwaway society? That's so yesterday." -Sherwin-Williams handout

"A throwaway society? That's so yesterday." -Sherwin-Williams

Rough Luxe Hotel coffee area.

Coffee room in London's Rough Luxe Hotel, which mixes raw and original materials with luxury goods.

Bathroom in the Rough Luxe Hotel.

Bathroom in the Rough Luxe Hotel.

An array of vintage chests

An array of vintage chests

Refreshed colors evoke happiness, tropical flowers and sunshine. These palettes suggest kaleidoscope patterns of the 1960s  where romanced blossomed and flower power was all the rage. In the summer of 2009 we saw this trend in fashion with past colorful maxi dresses and tie-dyed prints. In 2010′s home furnishings market we will see bright, vivid colors that recall the pure and whimsical easthetic of a box of Crayola crayons.

"It's time to take a vacation and let our cares melt away." -Sherwin-Williams handout

"It's time to take a vacation and let our cares melt away." -Sherwin-Williams

Kaleidoscope design in refreshed tones.

Kaleidoscope design in refreshed tones.

Rack of vintage clothes with 60's and 80's prints and patterns.

Rack of vintage clothes with 60's and 80's prints and patterns.

This monochromatic room in pure green is refreshing and relaxing.

This monochromatic room in pure green is refreshing and relaxing.

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2
Oct 09

Students to design eco-friendly rugs

Yesterday Maegan and I hosted a group of graphic design students from my favorite local nonprofit, Artists For Humanity. The group came to the Boston office to learn about a really exciting opportunity for them to explore the meaning of sustainability and push the limits of creativity.

The Tufted Rug Design Contest (if you have a better idea for the name, let me know…) challenges the seven high school students in the graphic design department at AFH to think about what sustainability means to them as young artists. They will transform their ideas and inspirations into graphic designs that could be made into a tufted rug made from 100% New Zealand Wool. In November, three winners will be chosen by a panel of judges made up of interior designers from our Boston network, and each winner will receive a rug tufted from their own design. Events are planned in December and January to promote the contest, and we may even decide to produce the rugs as a new tufted collection in 20210. Stay tuned!

We created this contest with the staff and mentors at AFH for a number of reasons. First, we think there is amazing synergy between our two organizations: our shared love of design, our interest in maintaining a vibrant local community, and our dedication to sustainability. We also wanted the opportunity to work with the students in a way that would bring their incredible creativity to our design process, and teach them about sustainability at the same time.

Another important purpose of the contest is to give the students the chance to participate in a real-world product development process where technical specifications and market trends can often guide the process.  Throughout the contest, the students will have multiple opportunities to receive feedback from Maegan, who will work to educate them on basic principles of textile design, the technical capabilities of our tufting equipment, and trends in the fashion and home furnishings markets that may influence their decisions.

Next week Maegan and I will meet with the students to go over their first-round sketches and inspiration. We will conduct a second critique two weeks later, and the students will submit their final designs the first week of November. We’re so excited to see what the students will come up with and are looking forward to sharing it all as we go!

The photos below are from the workroom tour and presentation yesterday. Maegan and I tag-teamed to present background information on Merida, our design process, how Maegan approaches design, and the meaning of sustainability. Enjoy!

Maegan gave the AFH students a tour of our custom workroom in Boston.

Maegan gave the AFH students a tour of our custom workroom in Boston.

We explained how the air tables work and the excellent craftsmanship that goes into a Merida rug.

We explained how the air tables work and the excellent craftsmanship that goes into a Merida rug.

The students loved the soft texture of this Bora Bora Volcano rug, made of undyed eco-friendly jute.

The students loved the soft texture of this Bora Bora Volcano rug, made of undyed eco-friendly jute.

Maegan showed the students her 2010 color inspiration boards as she described the process she goes through to design a product.

Maegan showed the students her 2010 color inspiration boards as she described the process she goes through to design a product.

We showed the students samples of hand-woven prototypes and discussed how the same design can change when woven on a mechanical dobby loom.

We showed the students samples of hand-woven prototypes and discussed how the same design can change when woven on a mechanical dobby loom.

Click the links below to check out previous posts on our ongoing partnership with AFH.

Student artists visit Merida

Fun Viewpoint Coasters for AFH event!

AFH’s Greatest Party on Earth

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